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Artist: Judy Garland: mp3 download

   Genre(s):

Pop
Easy Listening
Vocal

Judy Garland's discography:

Judy and Judy in Love

Year: 2001

Tracks: 22

The Hollywood Golden Years

Year: 2000

Tracks: 39

Complete DECCA Masters Plus 4

Year: 1994

Tracks: 23

Complete DECCA Masters Plus 3

Year: 1994

Tracks: 22

Complete DECCA Masters Plus 2

Year: 1994

Tracks: 22

Complete DECCA Masters Plus 1

Year: 1994

Tracks: 23

Live At Carnegie Hall

Year: 1960

Tracks: 23

Alone

Year: 1957

Tracks: 12

The Wizard of Oz, The Deluxe Edition (cd2)

Year:

Tracks: 36

The Wizard of Oz, The Deluxe Edition (cd1)

Year:

Tracks: 46

Singer/actress Judy Garland had a varied calling that began in music hall and extensive into movies, records, wireless, television system, and personal appearances. She is charles Herbert Best remembered as the big-voiced star of a series of movie musicals, especially The Wizard of Oz, in which she panax quinquefolius her touch birdcall, "All o'er the Rainbow." But different most other film stars of her eRA, she as well maintained a life history as a recording artist, and after her flick making years were largely over, she was able to change her stardom to acting and transcription, culminating in her Grammy-winning routine one album Judy at Carnegie Hall.

The tierce daughter of erstwhile vaudevillians linear a theater of operations in Grand Rapids, MN, Garland made her stagecoach debut singing "Jangle Bells" during the vacation season when she was two years former. Soon afterwards, she joined the tattle chemical group formed by her deuce sisters. Early on, her surprisingly maturate voice caused her to overlook the mathematical group. Her family stirred to California in the accrue of 1926, where the sisters found occasional work onstage and on receiving set, regular appearance in several film shorts in 1929 and 1930. In the summer of 1934, they toured in the Midwest, where George Jessel suggested they change their name from the Gumm Sisters to the Garland Sisters; finally, each sister likewise picked a new first-class honours degree name, with Garland choosing hers for the Hoagy Carmichael/Sammy Lerner song "Judy."

The Garland Sisters bust up in the summer of 1935 upon the marriage of Garland's oldest sister, Mary Jane. Soon afterwards, Garland successfully auditioned for the MGM film studio, and she was sign to a sign on that precipitate. Within weeks, she made her network radio debut on The Shell Chateau Hour. The motion-picture show studio did non possess immediate plans for her, but her life history did advance in another area. She had made quiz recordings on two occasions in 1935 for Decca Records; finally, in June 1936 the label recorded her tattle "Stompin' at the Savoy" and released it the following calendar month as her debut unmarried, although she was non yet sign-language to a terminus contract with the label.

Garland made her feature pic debut in the musical Pigskin Parade, on loan to the twentieth Century Fox studio, in November 1936. She finally made an impression at MGM when she panax quinquefolius a version of "You Made Me Love You" with limited material written by Roger Edens that transformed it into a tribute to motion picture asterisk Clark Gable, at Gable's birthday party on February 1, 1937. The performance was re-created in Great White Way Melody of 1938, released in August. After attention a trailer, Decca president Jack Kapp finally distinct to sign Garland to a recording contract, and the label presently released her studio versions of "Everybody Sing" and "Earnest Mr. Gable: You Made Me Love You" from the film.

Garland made iV more than films (Thoroughbreds Don't Cry, Everybody Sing, Listen, Darling, and Love Finds Andy Hardy) and a couple more singles through 1938, merely she didn't reach major stardom until the release of The Wizard of Oz in August 1939. Glenn Miller had jumped the grease-gun on the cinema by transcription "All over the Rainbow," and the song was already a hit earlier the motion picture was released. But Garland's transcription for Decca too became popular, and her success was certain by the release of Babes in Arms before long after The Wizard of Oz. At the 1939 Academy Awards in February 1940, she was presented with a toy Oscar for her outstanding operation as a screen juvenile. In March, Decca released her first album, Judy Garland Souvenir Album, a three-disc, six-song set combination the "Dear Mr. Gable: You Made Me Love You" single with her stream singles "In Between" (from Passion Finds Andy Hardy) and "Figaro" (from Babes in Arms).

Garland appeared in trey films in 1940, Andy Hardy Meets Debutante, Strike Up the Band, and Slight Nellie Kelly, and she scored a Top Ten hit with her recording of "I'm Nobody's Baby," featured in the first gear of them. Her December transcription school term for songs from Small Nellie Kelly was conducted by David Rose, whom she marital on July 28, 1941. She appeared in some other trey movies that yr, Ziegfeld Girl, Life history Begins for Andy Hardy, and Babes on Broadway. Her only film released in 1942 was For Me and My Gal, besides prima Gene Kelly, wHO paired with her on a transcription of the title song that became a Top Ten hit. In 1943, she starred in Presenting Lily Mars and Female child Crazy, and made a guest appearance in Thousands Cheer. She besides made her concert debut during the year, coming into court on July 1 with the Philadelphia Orchestra under AndrÃ© Kostelanetz at an open operation at the Robin Hood Dell in Philadelphia reported to have attracted 30,000 listeners, and toured service camps in support of the war exertion.

Garland's film work became less frequent after 1943, aid to medium a individual major release each year. Meet Me in St. Louis, her adjacent motion-picture show, was released in December 1944, directed by Vincente Minnelli, whom she marital on June 15, 1945, precisely after her divorce from David Rose. Her transcription of "The Trolley Song" from the musical score became a Top Ten hit, as did her album of songs from the film. She followed with some other Minnelli-directed film, The Clock, in May 1945, her first non-singing dramatic office. In June, she coupled Bing Crosby on a transcription of the novelty "Yah-Ta-Ta Yah-Ta-Ta (Mouth, Talk, Talk)," her first Top Ten hit with a sung non featured in ane of her films. Lyricist Johnny Mercer got the startle on all competitors in scoring a hit with his song "On the Atchison, Topeka and the Santa Fe" (written with composer Harry Warren) from Garland's upcoming film, The Harvey Girls, taking it to number one in July. But Garland's edition, released in September, was besides a Top Ten hit. The film appeared in January 1946.

Garland gave birth to a girl, Liza Minnelli, on March 12, 1946, and cut back on her play agenda, though she made client appearances in two other 1946 films, Florenz Ziegfeld Follies and Public treasury the Clouds Roll By. The latter, a biography of Jerome Kern, marked the birth of MGM Records and with it the soundtrack album, its aural equivalent reaching the Top Ten. Although Garland remained nominally gestural to Decca, the take a breather of her record releases through 1950 were MGM soundtrack recordings.

Garland returned to filmmaking full-time with The Pirate, released in June 1948, followed promptly by East wind Parade, co-starring Fred Astaire, in July, and then by a client appearance in Words and Music in December. The , a life history of Richard Rodgers and Lorenz Hart, produced a numeral one soundtrack album. At this full point, Garland's relationship with MGM began to run. Decades of diet pills to ascendancy her weight unit, amphetamines to give her free energy, and barbiturates to help her slumber -- reportedly given to her by her mother early on and by and by by the studio -- had resulted in dependance and emotional instability inconsistent with the laborious demands of making lavish moving-picture evidence musicals. At the same time, the studio, losing audiences to television and facing a severance of its human relationship with the Loews' theatre concatenation, was more subject on big-budget films and more forced financially. Cast in a arcsecond gear Fred Astaire cinema, The Barkleys of Broadway, Garland was pink-slipped from the production and suspended by the studio flat for her temperamental behaviour. She was then reinstated and made In the Good Old Summertime, released in the summer of 1949. By then, she had been fired from Annie Get Your Gun and suspended a second meter. She was once more reinstated and made Summer Stock, which was released in the summer of 1950 and produced a Top Ten soundtrack album. But when she was pink-slipped from Royal Wedding and suspended a tierce meter, on July 17, 1950, she made a lukewarm self-annihilation attempt that got into the document and substantially changed her image from the artless child of The Wizard of Oz to a tragic Hollywood casualty. In September, MGM formally canceled her attempt. She divorced Minnelli on March 22, 1951.

Garland sour from the movies to the concert stage, accepting an offer from the London Palladium to appear for four weeks starting on April 9, 1951. It was the source of a major replication. Returning to the U.S., she re-opened the Palace Theatre in New York as a live venue for what was scheduled to be a four-week battle on October 16, 1951; it stretched to 19 weeks, eventually ending on February 24, 1952, at a reported vulgar of $750,000. As a outcome, she was given a limited Tony Award "for an authoritative part to the revitalization of vaudeville." On June 2, 1952, she married her manager, Sid Luft. She gave parentage to Lorna Luft on November 21, 1952.

Garland and Luft formed a production company and signed with Warner Bros. Pictures to grow a remaking of A Star Is Born. It open in October 1954, resulting in an Academy Award nominating address for Garland. The soundtrack album, released by Columbia Records, was a Top Ten score. Garland gave parentage to a word, Joey Luft, on March 29, 1955. She toured the West Coast in July, and in September asterisked in a live, 90-minute television receiver peculiar tied in to her debut Capitol Records album, Miss Show Business, which reached the Top Ten. The read brought her an Emmy nominating address for Best Female Singer. There was another 30-minute TV limited in April 1956, a four-week engagement at a Las Vegas hotel in July and August, and a two-month return to the Palace in September, during which Capitol released the graph LP Judy. She did another three weeks in Las Vegas in May 1957 and that calendar month released her third Capitol LP, Alone, which again was a chart detail. She toured the U.S. through October, then dog-tired a calendar month at the Dominion Theatre in London. She continued to perform all over the U.S. in 1958 and 1959, and to record for Capitol (Judy in Love and the concert album Judy Garland at the Grove in 1958, The Letter in 1959). In November 1959, she was hospitalized for hepatitis and advised to give up acting, but she returned to action with a performance at the London Palladium in August 1960, followed by more European dates through December and a new Capitol album, Judy! That's Entertainment!, in October. She had a cameo in the film Pepe, released in December. There were more European shows in January and February 1961. Then, on April 23, 1961, she appeared at Carnegie Hall in New York, and the show was recorded for a double-LP plant. Judy at Carnegie Hall was number one and only by September and a gold disk inside a year; it won Grammy Awards for Album of the Year and Best Solo Vocal Performance, Female.

In December 1961, she returned to films with a dramatic character in Judicial decision at Nuremberg that earned her an Academy Award nomination for Best Supporting Actress. She starred in her first goggle box particular in six old age in February 1962, earning Emmy nominations for Program of the Year and Outstanding Program Achievement in the Field of Variety. Her next album, The Garland Touch, released in July, reached the Top 20. In September, she returned to playing in Las Vegas, spending six weeks at the Sahara, with additional dates through February 1963. November adage the liberation of Homophile Purr-ee, an animated musical celluloid for which she provided one of the character voices. In January 1963, she starred in the dramatic celluloid A Child Is Waiting. There was some other television system particular in March that brought an Emmy nomination for Outstanding Program Achievement in the Field of Music. Its winner lED CBS to offer her her own weekly form series. In May, she portrayed a disruptive telling asterisk in I Could Go on Singing, her final film appearance. The soundtrack album reached the Top 40.

The Judy Garland Show premiered on Sunday, September 29, 1963, programmed straight paired NBC's Western drama Manna from heaven, the second-highest rated show on television system. As such, it ne'er had a chance to become a succeeder, simply it ran for 26 weeks, through March 30, 1964, and earned an Emmy nominating address for Outstanding Performance in a Variety or Musical Program or Series. Capitol released Just for Openers, an album of performances drawn from the in series publication, on the day of the terminal atmosphere.

In May 1964, Garland undertook a circuit of the Far East scarred by unwellness. In November, she returned to the London Palladium, playing with her 18-year-old girl, Liza Minnelli. The public presentation was filmed and recorded. A special was broadcast on British telecasting in December, and a double album, "Live" at the London Palladium, was released on Capitol in August 1965, spending respective months in the charts. Garland toured the U.S. during 1965. She married actor Mark Herron on November 14, 1965, simply after her divorce from Sid Luft became final. (She divorced Herron on April 11, 1967.) She was less active in 1966, restricting herself to a few live and television appearances. But she worked extensively in 1967, including a monthlong repay to the Palace that summer which produced a new live album on a new label, Judy Garland at Home at the Palace -- Opening Night, in the charts for ABC RPLC615% in September. There were a fistful of dates in the U.S. in 1968, the last of them being a performance on July 20 at JFK Stadium in Philadelphia. On December 30, she opened a five-week participation at the Talk of the Town lodge in London. She married her fifth married adult male, club coach-and-four Mickey Deans, on March 15, 1969. In March, she embarked on a deuce-ace of Scandinavian dates, the lowest of which was at the Falkoner Center in Copenhagen on March 25. Three months by and by, she died of an accidental overdose of barbiturates.

In the decades following her death, Judy Garland's troubled personal life, which contrasted so starkly with the exuberance and innocence of her film roles, has been the grist for numerous books and other accounts, to the point that her vocation is sometimes viewed more as an object moral in Hollywood surfeit than as the noteworthy bowed stringed instrument of multimedia system accomplishments it was. But even the lewd and exploitatory material is subordinate on her star powerfulness and vocal pyrotechnics to have whatsoever invoke. Garland herself, world Health Organization was so attracted to the backstage Hollywood story of A Star Is Born, playacting it both on radiocommunication and later on film, sure understood the attractor of a tragic image and may have exploited it measuredly. Nevertheless, the core of her meaning as an artist remains her astonishing voice and emotional commitment to her songs.

Garland's extensive sour as a isaac Merrit Singer, including her appearances in films and on wireless and television, in accession to live performances and studio apartment recordings, makes her discography drawn-out and helter-skelter. In the '90s, her soundtrack recordings saw reissue through Rhino Records, spell MCA undertook a box set of her '30s and '40s Decca studio apartment recordings (The Complete Decca Masters [Asset]) and Capitol compiled its own box of her '50s and '60s material, (The One & Only). Beyond these lies a vast and ever-increasing sea of quasi-legal releases that consumers should glide path with precaution.